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New Justin Moore Video!

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The Music biz–How does one break in?

Mark Prentice and I recording at Tommy's Dungeon studios

This is an email I received that I would love to share with you.

Dear Tommy,

I am a teacher in Edmond, OK that happens to be a drummer as well.  I would love to be a touring musician, session drummer, or just find a way to make a living sitting behind my set.  I know that you are a busy guy (6 kids and pets sounds hectic – I am married and just have one dog) but if you have any advice or thoughts I would love to hear them from someone with experience.  I don’t mean to sound forward but my wife and I have been praying for some opportunities to come along and when your name popped up on the following list, well we didn’t want to act weird, but it was definitely a cool blessing.  Thanks for listening to a little of my rambling and thank you even more for some of your time.

Peace to you
Jeff Smith

Thanks for the letter Jeff, I was actually thinking about blogging on this very subject, so your email was very timely.

I want to answer this letter as gingerly as possible.  When I moved to Nashville, you could tell me anything you wanted.  Tell me it was impossible, turn around, go home, it didn’t matter.  I had already made up my mind thatI had no choice, I was going to make it in Nashville or die trying.  No back up plan.  Nothing to “fall back on.”

Let’s rewind back to college days.  The first thing that one of my prof’s told me was, you should think about an education degree.  Because, “it’ll give you something to fall back on!”  My reply was, “I don’t plan on falling back.”  But I was lucky.  I had a musical mentor, one of my closest friends, the late Larry Dalton.  Larry was a piano genius, an arranger, composer, a Steinway artist.  He was someone that I looked up to as one who actually made a living in the music industry, making music. He was truly put in my life by God.

A pivotal moment in my life happened one day in Larry’s kitchen.  I’ll never forget it.  I told him I wanted to be a session player.  He looked at me and said, “Oh, you probably won’t be able to do that.  It’s too hard.  You’re competing against guys that have been in town 20 years longer than you have, and not only that, you have to show up and do something they can’t do.”

What?  This was like he slapped me in the face with a wet fish.

But, it did 2 things.  Number one, it made me rare back and say to myself, “by golly, I’ll show you who can’t be a session player.”  There are times that I wonder if he told me this on purpose, to see if he could cause me to quit.  The second thing that it did, is it put the fear of God into me about how much I would have to prepare to enter the music biz.

So I worked and worked, studied, practiced, learned, and worked some more.  I would be driving to the practice room some days and I would pass my friends playing frisbee or hanging out.  I didn’t care.

So, fast forward back to Nashville.

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What tone do you set?

bang, crash!!

I love to scream count-offs!  ONE!!!!!!!  TWO!!!!! ……..like I’m on fire!!!   Partially it’s usually because in the studio, people tend to be tuning, or plunking riffs or talking and if I counted off the song “weenie” like, they’d never hear me.  So if it’s an “up” song, I’ll usually yell the count-off.  Or scream the count-off! Many players who come in to overdub say they know exactly who played drums by the count-off.  “Oh, that’s Tommy!”

But there is another reason I do this.  In college I had a drum teacher by the name of Jim DeLong.  Jim used to tour and record with one of my all time life heroes, Phil Keaggy.  He is a very spiritual guy, who infuses his spirituality into his playing and teaches his students to do the same.  And he’s an amazing drummer.  His playing on “Play Thru Me” is still some of my favorite ever.

One thing he said to me, and I’ll never forget it, was “Tommy, you set the tone of the whole song by how you count it off, and not just for you…for the whole band!”  If you’re half hearted in your count-off, what makes you think you’re going to play the song wholeheartedly?  And if you’re in the drivers seat, which we generally attribute to the drummer, then you are either going to drive it like a race car, or like an old lady looking through the steering wheel.  It’s your choice.

This is a really good life lesson for all of us.  You don’t have to be a player to ask yourself, “what kind of tone do I set?”  When I walk into the room, do I command attention?  Do I shake someone’s hand with a firm grip and with fervor?  Or do you do the “dead fish” handshake?  Do you tackle your projects or do they tackle you?  Do you come home from work and ho hum say hi?  Or do you grab your children and sweep them off their feet and kiss them as they giggle?

So I ask you, what kind of tone do you think you set?  I’d love to hear your thoughts!  Please comment!   Now, here we go….”ONE!!!!!!!!!!!……..

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Kip Moore Record July 2010

Kip Moore rocks!!  He has a lot of Springsteen in his influence and can totally emote with his amazing voice.  I’ve been privileged to work with Kip for several years now.  Here are some pics from his record date a couple o months ago at Oceanway in Nashville, in the big room.  Kip is produced by the legendary Brett James, who Ive been working for since the late 90′s.  Brett never fails to inspire me, he’s endlessly creative, and continues to crank out hit after hit.  Look for Kip’s record out soon!!

click on photos to enlarge

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Tammy Rochelle session, Omni, 3.2.10

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