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Prime the Pump!

There are some days when a song drops out of the heavens. Bang!   I remember specifically walking in my bedroom to get something and the entire melody of a song popped in my head.  One time I was in the kitchen, babysitting the entire eating machine Harden brood during dinner, and an idea and a melody popped in my head.  I wrote it with a friend of mine, Kevin “Swine” Grantt in about 2 hours the next week.

The very first cut I ever got was a song called “Sleeping With the Telephone,” which Reba cut on her Duets record.

We were putting an addition on the house, I was working full time doing session work, touring on Reba’s gig, and literally putting every spare minute into doing about 85% of the work to build this addition myself.  So one night my wife saw that I had just collapsed after working on the house, and she said, “honey, can we pleeeeeze go down to the studio and write?”

Now at that particular minute, I would have rather set myself on fire than have to get up and go down to the studio and try to write a song.  My creative tank was on “E”.  Actually, the yellow warning light was on.  But being the good husband I am, I said “sure honey!!,” with a fake plastic smile on my face!!!!

We sat down, I pulled out the guitar, and I had just learned this new tuning called DADGAD, so I tuned the guitar and literally started playing this melody from top to bottom.  It literally fell out.  A celestial heavenly window opened and plop, here’s your melody.

Now my wife, Lorrie has a unique gift.  She can hear one of my melodies and tell me exactly what that melody is in a song form.  In my mind, this melody was a very alty, young, indie band kind of song.  She proceeds to say “no, it’s a Reba song, it’s a duet between a soldier’s wife and a policeman’s wife.”  I picked up my jaw off the floor, and said, “really!!???”  I’d never heard of this put in a song before, so I called a good friend and genius lyricist, Don Rollins, who in a few days came over and we had the song written in 2 hours.  He really is amazing to watch.

We demo’d it the next day, and in 3 weeks Reba cut it.  See how easy it was!!!!!!  I say that uber facetiously, with a slight edge of bitterness and a crusty dose of cynicism in my voice because right now, it’s darn near impossible to get a song cut.  In fact right now, it’s easier to take over a small country with an army of 2nd graders than it is to get a song cut.   But laughingly, I digress!!!

The whole purpose of this blog post is this.  The things in life that come easy are the exceptions and not the rule.  Most of the time when I write, it takes time.  You have to “prime the pump,” like the old timey wells, you’d pump and pump with no water coming out, then suddenly whoosh!

Writing is the same way.  Some days, you have to work hard to get anything, and some days it falls out.  The trick is, being there for either scenario.  I once heard a quote that said, “the art of writing is the art of applying the seat of the pants to the seat of the chair” (Mary Heaton Vorse (1874-1966).  I love this quote!!!  It’s that silly discipline thingy that keeps popping it’s ugly head up, like the ground hog in Caddyshack.

The days that you really have to work hard totally make you appreciate the ones where it falls out.  And lemme tell you, just like when I play golf and hit a straight, down the middle, beautiful drive, it don’t happen often enough!  But it happens just enough that it makes me want to come back and try it again.   Wait a minute, golf…I remember that game!  Oh yeah!  That’s a game that people with a life play!!!  Oops, crusty cynicism again…sorry folks.

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Obsessed with a Record

It’s been a while since I’ve been “obsessed” with a record. By that I mean, basically, that’s all I listen to for a period of time. The new Swell Season record, “Strict Joy,” is exactly that record. It’s been over 2 weeks, and Anya, my 16 year old daughter, who by the way is the princess of music obsession, yelled at me “Papa!!!! You’re obsessed!!” Let me try and explain as best I can why.  And as Frank Zappa says, “talking about music is like dancing about architecture.”  Let’s dance!

Being a Nashville player and writer, it’s hard not to fall into 33 rules of Nashville songwriting.  When you first start writing in Nashville, you get a lot of feedback; ie, you need to change this, do this, etc. So you figure out what people are wanting and try to write “towards” that. Obviously, if you are a commercial songwriter, you want people to listen to your songs. And get them cut.

When Glen Hansard and Marketa Irglova won the best oscar song for “Falling Slowly,” I remember the phrase “make art” being said. In this record they clearly do that.

It’s difficult to get a poinant thought across in a song. You craft lyric, put in internal rhymes, and try to come up with clever lines that “paint it, don’t say it.” In Strict Joy, there is a deeper level of lyric writing. And that is painting a picture with poetry, even to the point where some of the lyrics may not make sense.  But when you hear the song, the intent is clear and the emotions that come out are amazing!  Swell Season are masters of this. This is why I’m currently obsessed over this record.   I think if you listen to it, you might be as well.

Let’s discuss this!  If you are a music lover, chances are you are obsessed with something.  Let me know what album you are “Obsessing” over right now. Please comment!! Later!

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Ten Thousand Ways

Tommy Harden
Lorrie Harden
Don Rollins
12.4.09

When the night falls like a curtain
Like cool sweet velvet of black and gray
You’re the light inside my shadows
I live to love you ten thousand ways

In your smile I find salvation
In your arms my heaven waits
In this life each precious hour
Is made to love you ten thousand ways

Ten thousand ways to make you see
what you mean to me
All the time in the world is not enough
Ten thousand lives, I would still be here with you
I love you, that much

As I breathe —for the last time
and life my fades away
I’ll close my eyes still dreaming of you
And how I love you ten thousand ways

I’ll post this song as soon as it’s recorded. I got the melody suddenly in my head when I was in the laundry room.  I ran straight to the studio and grabbed a guitar, figured it out and recorded it quick.  The next Don/Lorrie writing session I played it for them and the response was “wow!”  I said, no rules on this one.  No Davidson County pitch possibilities, let’s just make some art.

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