Tag Archives: nashville studio

Studio Etiquette

Wow, this is the 20th video! Hope these are getting better. This is one that I thought I would take advantage of a quiet dinner break at Oceanway A in Nashville and put some thoughts down on the computer. Since I recorded it, I’ve thought of a few other things I probably should have covered. So here we go.

1. If a engineer or a 2nd engineer comes into the room to adjust a mike or tweek something, for God sake, don’t slam the drums at 110db when his head is near the kit. Have mercy people, you’ve got headphones on! A really good friend of mine was adjusting the under snare mic, when the drummer, actually a very busy “A” team Nashville session drummer hauled off and smacked the living crap out of the snare. Oooooooooooh, 4k ring in the ear, for the rest of the day, that’s all he heard, the eardrum just shut down. Don’t be a creep and do that! I even go as far as when one of the other players walks into the room if I’m getting sounds, I’ll go immediately to a really quiet bossa groove, for a couple of reasons, 1. to not kill them, and 2. to give them a hint that they’d better get out of the line of fire!

2. I’d like to put an adjunct idea on the “screwing around” rule that I put out. If you ever come to a session that I’m on, there’s gonna be funny stuff happening, I’m gonna crack jokes, or do impressions, or anything to make people have fun. But here’s something to think about. If you do something at the beginning or end of the take, keep in mind that the engineer and the producer are gonna hear that about 6000 times. Don’t let it be something that by the time they mix it, they are gonna be saying, “Holy crap, I don’t want to ever hear this again!!!” Make them dig your playing and ask you back because you slammed the crap out of the tune. Don’t give them an excuse to not want you back!

Would love to hear some of your thoughts about stuff that has happened to you in the studio or on a gig, that you would consider bad “etiquette.”

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Kick Drum Tuning

I looove the sound of an amazing kick drum. And usually it’s not by accident. There is a method to getting great sounding kick drum, part drummer, part engineer. Today we’ll cover the drummer part.

I like big drums!! Sorry, I just can’t make a 20″ kick drum sound huge. I like 24″ and 26″ kicks. I’ve found that the maple ones sound better to my ear than the birch ones, although some would argue with me. That’s just what works for me.

I like the powerstroke 3 head on the batter side. I also like a thicker head for the front side. Oftentimes the mylar heads that come standard on the front side of the kick are too thin, and the front side of the kick is very important, albeit, often overlooked in the importance of the overall kick sound. That’s a really long way of saying, don’t get a crappy front head. You’ll be scratching your head to try and figure out why you kick drum sounds so thin. The air has to get past that head before it hits the mike.

The front, batter head combinations that are out there, generally work very well. I just like Remo. They are like levi’s to me, comfortable.

I generally use plastic beaters with the flam pad, they don’t make a huge difference in sound, but they make a huge difference in how long the head lasts. And the engineer will eq the drum anyway, so if there is too much top from that combination, he or she will adjust.

Another note. I never put toms on mounts that are mounted to the kick drum. I like the kick drum to be ‘free floating’ without anything dampening it. So my tom mounts are mounted onto cymbal stands. I think this is important.

Tell me what works for you and why u think it does. I would love to hear your thoughts!!

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Week 2, the country shuffle

This is a really fun groove to play. I explain the basics about how to play the country shuffle and go into more detail about how to expand upon it. There are thousands of country shuffle songs. Some to check out that I love, “Boot Scootin’ Boggie” by Brooks and Dunn, and”Take it back” by Reba, “Two of Kind” by Garth Brooks. Essential country shuffle listening is anything Ray Price. Have a blast and please, if you visit, leave a comment! blessings! th

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Session 1 Hi hat volume

This is a highly underrated topic.  One that will totally get you un-invited back to the next session!  The high hat gets into all the mics!  So when you are playing, try lowering your hi hat volume without affecting the volume of the kick and snare.  This will make engineers way happy.  Thanks for watching!  I hope you like it!  Please leave a comment if you visit!!

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Welcome to 5 Minute Monday!!

Hello everyone!!  This weekly (hopefully weekly!) venture is one that is going to allow me to start mentoring and teaching.  I’m by nature not a great teacher, so it’s something that I want to cultivate and work on.  Each monday I’ll post a YouTube video with a 5 minute lesson or discussion on a certain drum topic, groove, concept, etc.  We’ll talk about different grooves, concepts, tuning, philosophy, and hopefully have some fun.  We’ll tackle some simple stuff and delve into some more complicated stuff as well.

This is in no way meant to be a one way street.  This was started as a way for me to connect with other drummers around the world.  It is meant to be a discussion.  This is why I need your ideas.  Please tell me what you want to talk about, discuss, and if it’s something I’m not sure about, we’ll learn together!

So this is where you come in!  Please comment or direct message me on twitter and let’s get started!  Thanks a bunch and I look forward to our Mondays together!!!

Blessings!!  Tommy Harden

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